Artist Miranda Skoczek’s ‘Carnivalesque’ Family Apartment

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Artist Miranda Skoczek’s ‘Carnivalesque’ Family Apartment

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Artist Miranda Skoczek’s ‘Carnivalesque’ Family Apartment

Homes

by Lucy Feagins, Editor

Artwork on left wall ‘Picasso Jug Beneath a Lunar Eclipse’ (2022) by Miranda Skoczek. Eames Rocker. Jardan cushions and mirror. B&B Italia Alanda coffee table. Artwork to left of mirror by Leah Fraser, and below by Claudia Greathead. Artwork on top right wall by Greeny Purvis Petyarre.

Miranda Skoczek and her son Harper in their Camberwell apartment.

‘To Elevate’ (2022) artwork by Miranda Skoczek. Antique Turkish rug from Loom. Baxter chair. Upper left artwork by Greeny Purvis Petyarre. Gubi Grasshopper lamp. Portraits of Miranda’s mum and aunt as children by a Polish artist.

Claudia Greathead painting. Hilary Green vessel from Mercer & Lewis. Jardan mirror

Jardan cushions and mirror. B&B Italia Alanda coffee table. Artwork to left of mirror by Leah Fraser, and below by Claudia Greathead.

Emily Ferretti painting. Eames LCW Plywood Chair and Rocker. Baxter table. Loom rug.

Miranda’s home features art and artefacts collected from across the world since she was 18.

Jielde lamp.

‘Picasso Jug Beneath a Lunar Eclipse’ (2022) artwork by Miranda Skoczek. Eames LCW Plywood Chair and Rocker. Baxter table. Loom rug. Eames Rocker. B&B Italia Alanda coffee table. Jielde lamp.

Artwork: (far left landscape painting) Carla Hananiah; (below) Yvette Coppersmith; (above mantle) by Justin Williams and Lottie Consalvo. Antique table and chairs. Thonet chairs. Ercol Loveseat.

Top left ceramic by Glenn Barkley. Top right ceramic by Georgia Morgan. Painting on far right shelf by Tia Ansell.

Candlestick painting by Lucy Roleff. Lisa Warrington glass bowl from Storehouse.

Antique table and chairs. Thonet chairs. Ercol Loveseat.

‘Curating objects is just a gut feeling — visually I’m most articulate!’

‘The Theatre of Home’ (2022) artwork by Miranda Skoczek. Anglepoise lamp. Antique Indian kantha.

‘I think my favourite features are the plethora of different arched-shaped windows, especially the ones in my studio and my bedroom,’ says Miranda.

Miranda working in the main bedroom turned studio.

It’s been almost 10 years since I first visited Miranda Skoczek and her son Harper in their home.

Back then, the mother and son were living in a St Kilda apartment, before moving to the Dandenong Ranges for several years, and recently returning to the city to be closer to Harper’s school.

Miranda first came across her current home when visiting a friend in Camberwell. Leaving the hills was a difficult move for the artist, but she found solace in the area’s leafy and quiet streets. ‘As my street is so lush with established gardens — think rhododendrons, magnolias and jacarandas — I settled in quite quickly,’ Miranda says.

Miranda’s apartment contains a quirky mix of art deco and Tudor-like details, including a plethora of different arched-shaped windows, and a ‘rabbit warren of hallways’ inside.

‘Visitors are always perplexed by hallways leading to various balconies and losing their way to the front and back doors!’ she says.

In Miranda’s hands, the apartment has come to life. The main bedroom is now her overflowing studio, and almost every wall in the apartment has been covered with art and artefacts collected from across the world.

‘There’s a certain topsy turvy-ness to my home. It’s convivial, and definitely with a European sensibility with its layering and creative energies,’ Miranda says.

While the home is a far cry from the size and style of her previous Dandenongs home, Miranda has furnished and layered the space to exude the same creative, lived-in feel.

‘I’m just not interested in rules, nor trends, and I tend to create many vignettes in and around the home as I have such a varied collection of things,’ Miranda says of her decorating style. ‘Curating objects is just a gut feeling — visually I’m most articulate!’

In many ways, the homes Miranda lives in are an extension of her art practice, which is inspired by nature and travels to India, Afghanistan, and Morocco. She says, ‘A friend and fellow artist once told me, “You’re not a fixed being, yet you still stay true to your aesthetics and carry them like they’re part of an ancient caravan.”

Miranda describes her home and style best, proclaiming the space as somewhat ‘carnivalesque.’ ‘It’s chaotic and it’s full of life and exuberance, like me!’

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