Inside A Former Bank, Turned Stately Family Home!

History of the old Bank of London features on the exterior. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Sheila Smith and Grant Volz with their son Oscar and Jack Russells Dottie and Roy. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Anglaiserie wallpaper designed by decorative artist Alexander Hamilton from Lewis & Wood lines the hallway. Photography – Marnie Hawson. Editorial styling – Belle Hemming

The dining room is Sheila’s favourite room in the house. Photography – Marnie Hawson. Editorial styling – Belle Hemming

In 1990, Sheila’s parents added an open-plan living, dining and kitchen with the help of Melbourne architect Greig Carter. Sheila and Grant plant to give this space an update in five years’ time. Photography – Marnie Hawson. Editorial styling – Belle Hemming

The entrance features hydrangea wallpaper designed by William Turned from GP & Baker. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Paintings by Sheila’s great, great aunt, Letisha Bradshaw. Photography – Marnie Hawson. Editorial styling – Belle Hemming

The drawing room. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Art and original architectural details in the hallway. Photography – Marnie Hawson. Editorial styling – Belle Hemming

In the office, an artwork by Paddy Fordham Wainburranga hangs above the fireplace. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Artwork by Sarah Cannon. Photography – Marnie Hawson. Editorial styling – Belle Hemming

The conservatory was added to the home by Sheila’s parents. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Grey-blue tones feature in one of the bedrooms with sea-grass wallpaper and a timber feature ceiling. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Paintings by Sheila’s great, great aunt, Letisha Bradshaw. Photography – Marnie Hawson. Editorial styling – Belle Hemming

One of the five bedrooms inside the old bank. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Sheila has transformed the old banking chamber into her interior design studio. Photography – Marnie Hawson. Editorial styling – Belle Hemming

The entrance features dramatic double doors. Photography – Marnie Hawson. Editorial styling – Belle Hemming

Interior designer Sheila Smith’s home in Hay, New South Wales, has a rich history.

The 1891 building was originally commissioned by The London Chartered Bank, but also held residency for the London Bank of Australia and the English-Scottish Bank Company before being sold to Australian agricultural business Goldsborough Mort in 1942.

In 1973 the building was purchased by Sheila’s grandmother Noreen Smith and her sister Marjorie Houston. The sisters renovated the old bank to make it their home and in 1990 sold it to Sheila’s parents Kyle and Sally Smith, who continued to rejuvenate the historic building, adding a conservatory and open-plan living area.

In 2020 the building became Sheila and husband Grant Volz’s home, who, with the arrival of their son Oscar, mark the third and fourth generation of Smiths to call the old bank home.

‘I love the history of this building,’ says Sheila. ‘The integrity of the house still stands strong, but we’ve bought her into the 21st century.’

Sheila and Grant have a three stage renovation planned for the extensive 15 room home. Stage one is complete, and saw them replace the original balcony floor; fix the roof, fascia, scotia and gutters; paint the exterior; restore the front doors; and update the interior with new window furnishings, new carpet, paint and wallpaper.

Stage two, which is currently underway, will see the bathrooms updated and the garden extended. Then, in five or so years, stage three will see a complete overhaul of the laundry and kitchen.

‘We were adamant we didn’t want to change any of the historic features of the building,’ explains Sheila. ‘But we wanted the home to reflect us.’

Finding a balance of old and new inside the 131-old building was a challenge, but one that Sheila – who owns an interior design business called Miss Smith Interiors – was well equipped to handle.

‘The ceiling heights in this building range from 13 feet to 19 feet, so scale and proportion were very important,’ she says. ‘The dining room is probably my favourite as it is quite unexpected and not too serious.’

The room in question features high drama with Porter’s Evergreen gloss paneling underneath a classic Grisaille wallpaper mural. ‘We love that we can have dinner in the forest, in the middle of the Hay Plains!’, she says.

Slowly but surely, Sheila has transformed the five bedrooms, three bathrooms, powder room, drawing room, dining room, conservatory and open plan kitchen, living and dining into spaces swathed in colour and texture.

Elements of the building’s past remain, yet have been adapted for modern use; the old banking chamber has become Sheila’s interior design studio; and the original strong room/bank safe is now the wine cellar.

‘Our home embraces the ideas and details of a classic interior, whilst keeping things fresh and joyous,’ says Sheila. ‘Every room has character and shows a little personality.’