‘Throughout the day I will be continually switching between looms with each work at a different stage,’ she says. ‘I might be painting on one loom and while I am waiting for the paint to dry I will weave the handles of a bag on the other.’

This alternation is the nature of her unique craft, which is a mixture of painting and traditional weave techniques. First, Anna works the warp threads onto the loom and paints them with an image. Once she is satisfied with the final image, she then threads the weft into place to weave one continuous piece.

This process is experimental, and she can’t see the work in entirety until it is finished and taken off the loom.

‘I wanted to be a photographer from a very young age and followed that path up until my early twenties,’ she says. ‘This all changed once I discovered the artist Lenore Tawney – her woven sculptures instantly inspired me to start weaving and I haven’t stopped since.’

Anna soon fused her self-taught weaving skills with her training in fine art and photo-imaging to resolve a totally unique practice – woven paintings. She purchases her yarn from a small, family-operated store in Melbourne, restricting herself to only natural materials and deadstock. The cotton yarn she uses is so fine that the weavings are translucent in their final form.

They’ve resonated deeply with artists around the world. Anna has a variety of stockists for her pieces: Shop Toko Toko in Byron Bay, Homebody in Melbourne (you might recognise her work from Homebody founder Tilly Barber’s Warrandyte home!), Tangerine in New York City and Anna’s website.

‘Art-making is the one constant in my life, where I feel grounded, content and hopeful,’ says Anna. ‘It is fundamental to how I navigate the world. I hope to communicate who I am in that specific moment through my painting. I am ever-changing and so is my work.’